Your music will always flow.

Serafin, S., Erkut, C., Kojs, J., Nilsson, N. C., and Nordahl, R. (2016) Virtual Reality Musical Instruments: State of the Art, Design Principles, and Future Directions. Computer Music Journal, 40 (3), pp. 22–40. [pdf]

Serafin, S., Erkut C., Kojs, J., Nilsson, N., Nordahl, R. (2016). Virtual Reality Musical Instruments: Guidelines for Multisensory Interaction Design. Proc. Of Audio Mostly Conference. Norrköping, Sweden.

Kojs, J. (2013) Virtual Reality and Sonic Cyberspaces: Augmentation, Hybridization and Abstraction. International Journal of Arts and Technology, 6 (2), pp. 167–180. [pdf]

Kojs, J. (2011) Notating Action-based Music. Leonardo Music Journal, 21, pp. 65—72. [pdf]

Kojs, J. (2009) The Language of Action and Cyberaction-based Music: Theory and Practice. Journal of New Music Research, 38 (3), pp. 285—294. [pdf]

Kojs, J. (2008) Cyberactions and Cyberinstruments via Physical Modeling Synthesis: Extending Musical Realities. Ph.D. Diss., University of Virginia.

Kojs, J. and Serafin, S. (2008) Augmenting Sonic Reality. Cyberinstruments Designed With Digital Waveguides. Digital Creativity, 19 (2). [pdf]

Kojs, J. (2007) At and Across: Physical and Virtual Action-based Music. Proc. of ENACTIVE/07, 4th International Conference on Enactive Interfaces, Grenoble, France.

Kojs, J. and Serafin, S. (2007) Stirring, Shaking, and Mixing: Musicalizing Everyday Actions. Proc. of International Computer Music Conference, Copenhagen, Denmark.

Topper, D. and Kojs, J. (2007) VScore: A Real-time Visual Application for Scoring Music. Version 1.1 Proc. of International Computer Music Conference, Copenhagen, Denmark.

Kojs, J., Serafin, S. and Chafe, C. (2007) Cyberinstruments via Physical Modeling Synthesis: Compositional Applications. Leonardo Music Journal, 17. [pdf]

Kojs, J. and Serafin, S. (2007) Everyday Objects in Interactive Electroacoustic Compositions. Proc. of Sound and Music Computing, Lefkada, Greece.

Kojs, J. (2007) Dennis Miller: Seven Animations. A review. SEAMUS Journal, 19(1).

Topper, D. and Kojs, J. (2006) VScore: A Real-time Visual Application for Scoring Music. Proc. of International Computer Music Conference, New Orleans, LA.

Kojs, J. and Serafin, S. (2006) The Fujara: A Physical Model of the Bass Pipe Instrument in an Interactive Composition. Proc. of International Computer Music Conference, New Orleans, LA.

Kojs, J. (2005) Piano Case, Keyboard, and Strings: Separation-Derived Musical Instruments in an Interactive Composition. Proc. of International Computer Music Conference, Barcelona, Spain.

Serafin, S. and Kojs, J. (2005) Computer Models and Compositional Applications of Plastic Corrugated Tubes. Organised Sound, 10(1). [pdf]

Serafin, S., De Goetzen, A., Kojs, J. and Nordahl, R. (2004) Multimodal Interaction in Physics Based Sound Synthesis. Proc. of Danish HCI Conference.

De Goetzen, A., Serafin, S., Kojs, J. and Nordahl, R. (2004) Fitt’s Law from an Audio Perspective. Proc. of Danish HCI Conference, 2004.

 Serafin, S. and Kojs, J. (2004) A Physically Informed Model of a Musical Toy: The Singing Tube. Proc. of International Computer Music Conference, Miami, Fl.

Serafin, S. and Kojs, J. (2003) The Voice of the Dragon. A Physical Model of a Rotating Corrugated Tube. Proc. of Digital Audio Effects Conference, London, UK.